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GANZThe first song on Kacey Musgraves’s album of the year winner, “Golden Hour,” is “Slow Burn,” a slightly psychedelic country ballad about how chill she can be — in love, in her career and just in general.
Critically respected but largely ignored by the Nashville establishment, Musgraves spent most of Grammys night edging her way, patiently, into the spotlight.
JON CARAMANICADrake, who pointedly did not perform on Sunday night, claimed just his fourth Grammy in 42 tries — best rap song for “God’s Plan” — and he deigned to show up to accept it, taking the winner’s podium for the first time.Drake was not seen at the Grammys again, and given how hard it was to get him there in the first place, he might not be for a while. “This is love, this is life, this is living, this is light, and all because of music.” She brought out Lady Gaga, Jada Pinkett Smith, Michelle Obama and Jennifer Lopez to speak about music as a vessel for empowerment and empathy. She joked around with John Mayer and harmonized with Smokey Robinson.JOE COSCARELLIIf the tensions at last year’s ceremony left the Grammys in knots, Alicia Keys was a CBD oil rubdown: a soothing, self-assured earth mother prepared to “Kumbaya” the show into a place of solidarity and affection. She had already logged oodles more screen time than any host in recent memory when she perched on a stool between two grand pianos and played one with each hand in a demonstration of technical badassery, then took a tour through songs she wished she had written (Roberta Flack’s “Killing Me Softly,” Juice WRLD’s “Lucid Dreams,” Kings of Leon’s “Use Somebody”), wrapping on her own Jay-Z collaboration “Empire State of Mind” like a humblebrag come to life.Little Big Town gave Parton an arena-country buildup in the story-song “Red Shoes,” from the 2018 “Dumplin’” soundtrack, before the female-solidarity finale, “9 to 5,” in which Parton made sure to praise her recent songwriting collaborator and producer, Linda Perry, who was leading the band. JON PARELESFor a show that has traditionally shunted aside Latin music (leaving it to the Latin Grammys, a separate event altogether) — and has yet to really acknowledge the rising urbano wave — Camila Cabello’s opening number covered a lot of ground. 1 pop hit, but Cabello’s Cuba-via-Miami roots shone through, and she also managed to ground a performance that featured both Young Thug Ricky Martin.(Guess which one was wearing diamond-encrusted boots.) J Balvin, the pop-reggaeton star from Colombia, popped up for an interlude of his hit “Mi Gente” — and held up a newspaper that read “Build bridges not walls” — while the Cuban-American jazz trumpeter Arturo Sandoval made himself heard throughout.