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During the filming of a scene in the first season involving Omar and his boyfriend, Brandon, Mr. Building off his experience in dance, he often made detailed musical playlists that corresponded with the mood of each episode.
Williams improvised a kiss that had not been in the script. Before filming the scene when Omar was killed, for example, he listened to “Let There Be Light,” by the rapper Nas.
Williams was back in East Flatbush to celebrate with some friends.
At one point, a young mother sheepishly stopped him to say she had named her child Omar in his honor.“The way a lot of us from the neighborhood see it, Mike is like the prophet of the projects,” said Darrel Wilds, 50, who grew up with Mr. “He’s representing the people of this neighborhood to the world.”But even as he has worked to champion his community, Mr.
Standing on the roof of the Vanderveer Estates, the man walked him through the particulars of firearms by spraying a hail of pellets into a steel door.“Best acting lesson I ever had,” Mr. Time and again, his work has returned to the complicated intersection of race, masculinity, crime and institutional failure. Even today, when a film like “Moonlight” wins the Oscar for best picture, typecasting is still woefully commonplace, and black actors are still forced into one-dimensional roles. Williams has made a mission of depicting his community in all of its nuance and variety.
After Omar, he was Chalky White, an Atlantic City bootlegger in “Boardwalk Empire” who reminded Mr. Emmy nominations will be announced within a couple of weeks, but after years of snubs he is no longer counting on industry approval.
(Despite its rechristening, it will always be Vanderveer to everyone in Mr.
Williams’s orbit.) There, he walked down the street like a benign potentate, accepting compliments and memories, shaking hands and taking pictures with people on every corner.